Tag Archives: 2008

Of all the horror movies I’ve ever seen, few have actually made me nervous. Even fewer than that have scared me. Thus, I thought I might create a list or two, focusing on those moments in certain films, and how and why they managed to scare me when so many others did not. This is not necessarily an exhaustive list, nor is it composed of movies based on their true quality or popularity level. Some scared me all the way through, and some, just in certain instances.

The Poughkeepsie Tapes (2007)

Okay, I’ll admit it. This movie creeped me out, in a big way. In the best fucking way possible. Now, don’t get me wrong, not the whole movie. I wasn’t sitting there like some punk. But this movie is absolutely chilling. I am being 100% honest here. The feeling, the atmosphere, the story, the tapes, the possibility that it could happen, and probably has happened? Just think about it here for a minute – a serial killer, young enough to be unassuming, yet old enough to not get caught, who has no preference in his victim selection, and who rids them of all dignity, humility, and self-esteem before brutally killing them, on camera no less? Come on, now! It’s fucking amazingly twisted. Yeah, yeah, the acting on the part of the regular folks wasn’t the best, but the acting of Ben Messmer (The Water Street Butcher), and the victims, particularly sympathetic Stacy Chbosky (Cheryl Dempsey) is utterly astounding. I want to feel uncomfortable when watching a horror film, I love that feeling, I thrive on that feeling, and this movie does it for me. I definitely don’t think it gets enough credit, mainly because hardly anyone has seen it because it doesn’t exist except on the internet, and because people are leery of the “found footage” subgenre of horror. I get it, and I hear you. But, this movie is a shining example, to me, of how a horror film should be made. It is horrifying, which is the goal of a horror movie, hence the name. The entire movie you’re pretty much on pins and needles because the normal scenes are so quiet, and then when they cut to footage of the tapes, it’s very loud, and there is usually a woman screaming in terror. This makes it very unnerving, and you can never get fully comfortable in your own skin throughout. This makes it a very effective film, indeed. The most nerve-wracking and fucked up moments?

1) The Creepy All-Fours Walk

Here’s a taste of the scene that gives me chills. It still gets me no matter how many times I see it. The Butcher wears a white, emotionless mask on the back of his head, creating an illusion, when really he is walking on all-fours, and wearing a creepy Comeddia dell’arte mask on his face as he moves closer to the camera. He then kills his terrified victim, up close and personal. I literally pull my legs into my chest when I see this. I cannot explain it. But it scares the fuck out of me. I admit it without shame. If this doesn’t scare you, there might be something wrong with you.

2) Cheryl’s Mom Confronted

Soon after teen and main victim Cheryl Dempsey is abducted, The Butcher confronts her mother, telling her, “if there’s anything I can do…..”. As she realizes who he might be, he simply giggles eerily and walks away. There is something about this that absolutely kills me. Maybe it’s the gall of the killer to confront his victim’s own mother because he is confident that he will never be caught, or the trauma this further causes the mother, but something about it goes through me, and fills me with sadness.

3) Cheryl’s Depressing Interview

Towards the end, Cheryl is rescued and returned home. She seems to have aged thirty years and is depressed beyond measure. She has been conditioned by the killer to respond only to him, with whatever he wanted her to say. Thus, she keeps telling the cameramen, “I don’t know what you want me to say….” This broke my heart, because people are really that broken by experiences they’ve had, and though this movie is fake, shit like this does happen. It is also revealed that her left hand has been removed. She refers to her Master, that he will come to get her, and that he didn’t mean to leave her behind. Most chilling, she thinks he really loves her. At the end of the short interview, words appear onscreen, informing us that she killed herself two weeks ago the taping. After this, a news reporter comes on, talking about how her body was stolen from the cemetery where she was recently buried. Scary. I don’t care what anyone says, this movie GETS to me. Which is really the point, yes?

The Strangers (2008)

Well, if it hasn’t been made obvious by now, the scariest movies to me are those that could actually happen. Home invasion, serial killers, torture and torment? Yeah, right up my alley. So, of course, The Strangers will always appear positively in any list of mine. I was so pleasantly surprised by this movie, and I could hardly believe it was Bryan Bertino’s directorial debut. The fact that it is loosely based on a few real life incidents (the Manson murders, The Keddie Cabin Murders) makes it all the more horrifying. A young, innocent, likeable couple terrorized in their own home (well, vacation home), by three psychopaths throughout the course of an entire night is horrifying to think about. The whole movie is creepy, for sure, but here are my top scenes.

1) Kristen Terrorized

From the moment James leaves to get more cigarettes, Kristen is tormented by the strangers, slowly at first, rapping on the door every so often, pretending to still be looking for Tamara, and then loud, malicious pounding. Kristen’s cigarettes and the fireplace have caused the alarm to go off, and she removes it, leaving it on the floor as the door is hit once again. She calls James to tell him to hurry, and goes back in the living room. The smoke alarm is now sitting on the cushion of the chair she used to stand on. They’ve been in the house, and even stolen her phone and thrown it in the fireplace. Eventually, the front door opens slightly, and Kristen sees a woman in a pin-up girl mask staring back at her. We weren’t quite expecting that, which is what makes it so startling. The whole scene builds up so much that once we catch a glimpse of one of the tormentors, we practically jump out of our seats. Well, I did. Amazing.

2) Mike is Stalked

Earlier in the night, James had called his friend to come pick him up, as he and Kristen were fighting. He finally arrives, after most of the terror has taken place. He enters the house, which is eerily quiet, except for the Merle Haggard record, “Mama Tried” playing over and over. As he walks through the house, confused and nervous, the masked male stranger appears behind him, stalking him with an ax. We’re sure he is going to be hacked to death brutally, but in a fucked up turn of events, James shoots him in the head, not realizing it is his friend. This scene is where everything pretty much goes to hell. We know the victims are probably not going to survive, and even if they did, they just killed their best friend and would be messed up for life. Fear can make us do horrible, unintentional things, and this scene proves that.

3) “Because you were home”

After the night of terror is over, the sun rises, as Kristen and James are bound and tied to two chairs in the living room. The strangers stand over them, just staring. Kristen asks, “Why are you doing this to us?”, to which the blonde stranger replies, “Because you were home”. This is so beyond creepy. They were just out looking for people to terrorize, and they just happened to be home. The strangers are a trio of sociopaths, who get their kicks tormenting and torturing helpless people in their homes. They thrive on the fear it causes, and once their fun is over, they must do away with them. James is stabbed slowly several times with a butcher knife, and then the same happens to Kristen. James is dead once the two little religious boys arrive to solicit Jesus materials, but Kristen is still alive, and screams out in terror as one little boy reaches out to her. I was just so, so impressed with this film.

The Ring (2002)

The Ring is one of those films I’ll never tire of. Yeah, I know it’s ten years old now (Jesus!), but it still freaked me out when I saw it, so it is deserving of my loyalty and love. Even at 14 I was a hardcore movie freak, and cynic, but I was pleasantly surprised by this gem. I really don’t care what anyone says. Gore Verbinski did a tremendous job on this film. Not one line of dialogue, one speck of lighting, nor one aspect of storyline is out-of-place. To me, that means a hell of a lot, not to mention, it features one of the creepiest kids ever in horror.

1) The Tale of Katie and the Tape

The beginning of the film opens with two teen girls, staying in on a rainy night, talking. The subject of urban legends comes up, and Becca mentions to Katie the mysterious tape that “kills you when you watch it”, seven days after receiving the threatening post-view phone call. Katie believes she’s seen the tape, and fakes Becca out by pretending to choke. After some shenanigans, the phone rings, scaring the girls to death. It’s Katie’s mom, and they answer it downstairs. Becca departs so they can talk, but after speaking to her mom begins to experience some strange things. The television comes on The Static Channel by itself, twice, she sees a blurry movement in the screen, and the refrigerator opens by itself. Okay, not too creepy when you type it, but the film makes it pretty eery. After going upstairs, she steps in a mysterious puddle outside her door. Upon opening the door, she witnesses the t.v. on a strange blueish-grey screenshot of a well in a forest, which prompts her to scream and contort her face unattractively as the screen cuts to black. Later on, at her funeral, her mother says she saw her face, and the scene quickly cuts to Katie curled up in her closet – twisted, contorted, and discolored. Look, it’s fuckin’ creepy, okay? Just admit it! Even the guy friend I was with seeing this for the first time ten years ago practically hit the ceiling! Me? I was startled, but I held my own, unlike him.

2) The Tape Itself

Do I really have to describe this one? The tape itself isn’t really scary, but it sure is strange, and the creepiest part is before we know the whole story, we’re sitting there, thinking, “What a bunch of random fucked up shit!” And it is, it really is. And the lighting and coloring of this videotape makes it even more odd and discomforting.

3) Samara’s Return

So, if you tell me that when Samara came up out of the well, and came through the television set, you didn’t get rattled, you’re either lying, or dead. Perhaps both. Of course, it’s not too big a deal now that we’ve all seen it a thousand times, but the first few times, particularly the first, it was fucking amazing. This evil little bitch will not be stopped, and she has to go and kill sweet Noah. Typical, the good guy dies, I call BULLSHIT. But still, it proves she is unrelenting, and innately evil. Not even Rachel’s compassion and discovery of her water-logged body will faze her. I wouldn’t want to meet her in a dark alley, because my charming ways would apparently not work on her. This scene is a classic already, and still gets my stomach in knots when I see it. A few male friends even told me they turned their sets around when they got home from the movie when they first saw it. Bold of them to admit, but can you blame them? It was unsettling, and shows that there usually is no happy ending in horror films.

MORE TO COME! :)


This movie is, well, like somewhat of a bad acid trip. Though I don’t know personally, I can only imagine it might bear similarity to this film. We have the jittery camera action, which at some points can nearly give you motion sickness. It is almost all filmed in black and white. There is virtually no dialogue, with the exception of a narrator, a nurse verbally expressing her thoughts offscreen, and an interview with a witness scattered intermittently throughout. And how many times can we watch snow falling?! In fact, much of this film is spent watching snow falling, blood oozing, records spinning, or differing organisms scurrying around under a microscope lens. The music is ridiculous and almost comical at times, and some of it seemed to come straight out of a bad techno party. The acting is at its worst terrible and at its best mediocre. Did I mention it is four and a half hours long?

That said, I would be remiss not to mention that some of these scenes in the film are rather gruesome (cockroach, enough said), but most are clearly, obviously, painstakingly FAKE. It is also necessary to mention that these reenactments, in pseudo-documentary format (gritty, shaking camera and all), are based on true events that occurred at Japanese Unit 731 from the 1930s through to about 1945. They conducted inhumane, horrific experiments on the prisoners that have gone down in history as some of the worst atrocities man can inflict on man, including biological and chemical warfare. Some of the scenes portrayed are seemingly medically inaccurate and are no doubt used for shock value, to enhance the already horrendous nature of what actually occurred. One fictional aspect was that two of those involved in these diabolical “experiments” felt a modicum of sympathy for these unfortunate souls, but of course, they were “only following orders” (don’t get me started on that bullshit). I feel that the level of gore mixed with the awful special effects did somewhat of a disservice to those victims who truly deserve respect and remembrance for the brutality they endured. I am highly ambivalent about this film, leaning somewhere between pure genius and utter stupidity and disrespect. The cheesy effects went so far past believable that I don’t know how any gullible person could think this is actually real. The stories are based in fact, the movie’s images themselves are not. Come to think of it, the worse the effects got, and how far beyond they went actually detracted from the fact that we are supposed to be feeling sorry for these victims. We do in real life, of course, but in this long-winded portrayal, you are almost sitting there, sarcastically saying, “Oh, come on…geez….ahh, more snow, great..”.

Several of the scenes are utterly implausible, and like I said, so far beyond fake it is almost amusing. I do believe some of the archival footage and a few photo stills may be real, but in other instances, it’s like watching something out of a haunted house. However, it also finds some way to grab your attention in certain parts, and makes you really depressed. These are people. People doing these things to other people. How can we wrap our brains around this madness? It more serves as a gross-out movie more than one that could provoke any real emotion, at least for the majority of it. I cannot, in good conscience, recommend this movie, as I feel it does virtually little to nothing to promote the cause of these tragic victims, their pain, and their place in history, and I almost found it a little insulting. It is slightly uncomfortable in the more quiet sequences, but once the violence kicks in, you remember it’s all fake. We need to remember the victims of wartime atrocities, not exploit them. But if you want to give it a go, be my guest! You might fall asleep for the first hour or so, and its a long ride, so it’d be best to put on a pot of coffee.


This wonderfully disturbing and haunting movie will no doubt stay with you after the credits roll. It tells the story of a young girl and boy, abducted as 8 year olds and practically sold into prostitution. The abductors (Tom Arnold and Kevin Zegers) lure Leslie on her way to school, telling her that their puppy was lost, and one of the men, Alex then informs her that her dad called him and told him to pick her up because there was an emergency. She gets in their car, and her fate is sealed. They then tell her that her parents don’t want her anymore, and basically brainwash her. They sell her to the highest bidder (Jeremy Sisto) who takes her to get “acquainted” with a local judge. Her captors, Alex and Frank, also abduct another child, Donnie, with whom Leslie becomes best friends. They know what’s happening is wrong, and they hope to someday run away together.

Nine years later, Leslie (Gillian Jacobs) and Donnie (Evan Ross) are two street kids, homeless, living in California, scraping by on whatever they can find or earn in whatever way they can. Leslie is a prostitute, and Donnie is too, somewhat. He is desperate to leave the life that was forced onto him and return to the life he had before that day 8 years earlier. Leslie is equally troubled and depressed, having been scarred for life by the abuse and trauma she has endured. Together, they try to make the best of everyday, while struggling with their own internal and external demons. Leslie is confronted by a counselor at the youth shelter who found her missing person poster, and she realizes that Alex had lied – her parents really did love her and want her back. But she’s made a promise to Donnie that whatever they do, they’ll do it together. I’m not going to tell everything that happens, as this is one of those films you need to see for yourself – surround yourself with it and take it all in.

Gillian Jacobs is impeccable as Leslie, and really takes on the role with great force. Evan Ross, yes, Diana Ross’ son, is equally impressive as Donnie, who is constantly trying to reel Leslie back into reality. He is her rock, as she is his. This harrowing movie will no doubt break your heart, as well as scare you into realizing how sick and twisted people are out there, constantly lurking, and looking to exploit. I have often said that this is almost like a female version of Mysterious Skin. This film is moving, shocking, and extremely well made. Graphic and unforgiving in its portrayal, it will anger you, sadden you, and make you think. Which is what film is intended to do, is it not?

“Come back”, she whispered, “come back, for I love you. Come back again, by night or by day. This door is never shut to you.” Mowgli’s throat worked as though the cords in it were being pulled, and his voice seemed to be dragged from it as he answered, “I will surely come back.”


Okay, okay. I can hear you all now. ‘I thought she didn’t jump on the bandwagon’. Well, I normally don’t. But I can’t help it in this case. I have heard about these books for so long now, and just recently saw the preview of the new movie coming out in a week. I was transfixed! Then, I saw the first book, above, at Sam’s Club for $5! Who can pass up a five-dollar book? Apparently, everyone loves these books, so I guess I’ll give them a try, I thought. At least there’s no damn sparkling vampires and sulky, depressive teenage girls.

I am absolutely hooked. Really, this first book, of which I am almost finished, is completely delightful. You really will not want to put it down. I cannot wait to finish it and go see the movie. Hopefully on a night when it isn’t packed. Mostly because I don’t like to be sitting next to a bunch of people I don’t know, and I have to be able to sit on the aisle seat. Hey, I have a small bladder, so what? Maybe a matinee….anyway, I digress. This time, the book really does live up to the hype, and from the looks of the movie, it seems to be right on the money.

In case you don’t know, which you probably do, the story is set in the future, in the remains of what used to be America. Everything is renamed and broken up into districts, with each having a central focus (i.e. mining, agriculture, etc.). The Capitol is where the rich folk live, and since one of the districts rebelled years ago against the establishment, they have implemented yearly Hunger Games, whereby two representatives from each of the 12 districts, a boy and girl, are chosen to fight to the death on live television. Yeah, really! It is awesome, and I am about three-fourths of the way finished with the first book. Then, I’ll have to go buy the other two. I can just see me now, not getting anything productive done. Oh well, The Hunger Games rocks! :)

CAN’T WAIT :)  



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