Category Archives: Killer Kids

Of all the horror movies I’ve ever seen, few have actually made me nervous. Even fewer than that have scared me. Thus, I thought I might create a list or two, focusing on those moments in certain films, and how and why they managed to scare me when so many others did not. This is not necessarily an exhaustive list, nor is it composed of movies based on their true quality or popularity level. Some scared me all the way through, and some, just in certain instances.

The Poughkeepsie Tapes (2007)

Okay, I’ll admit it. This movie creeped me out, in a big way. In the best fucking way possible. Now, don’t get me wrong, not the whole movie. I wasn’t sitting there like some punk. But this movie is absolutely chilling. I am being 100% honest here. The feeling, the atmosphere, the story, the tapes, the possibility that it could happen, and probably has happened? Just think about it here for a minute – a serial killer, young enough to be unassuming, yet old enough to not get caught, who has no preference in his victim selection, and who rids them of all dignity, humility, and self-esteem before brutally killing them, on camera no less? Come on, now! It’s fucking amazingly twisted. Yeah, yeah, the acting on the part of the regular folks wasn’t the best, but the acting of Ben Messmer (The Water Street Butcher), and the victims, particularly sympathetic Stacy Chbosky (Cheryl Dempsey) is utterly astounding. I want to feel uncomfortable when watching a horror film, I love that feeling, I thrive on that feeling, and this movie does it for me. I definitely don’t think it gets enough credit, mainly because hardly anyone has seen it because it doesn’t exist except on the internet, and because people are leery of the “found footage” subgenre of horror. I get it, and I hear you. But, this movie is a shining example, to me, of how a horror film should be made. It is horrifying, which is the goal of a horror movie, hence the name. The entire movie you’re pretty much on pins and needles because the normal scenes are so quiet, and then when they cut to footage of the tapes, it’s very loud, and there is usually a woman screaming in terror. This makes it very unnerving, and you can never get fully comfortable in your own skin throughout. This makes it a very effective film, indeed. The most nerve-wracking and fucked up moments?

1) The Creepy All-Fours Walk

Here’s a taste of the scene that gives me chills. It still gets me no matter how many times I see it. The Butcher wears a white, emotionless mask on the back of his head, creating an illusion, when really he is walking on all-fours, and wearing a creepy Comeddia dell’arte mask on his face as he moves closer to the camera. He then kills his terrified victim, up close and personal. I literally pull my legs into my chest when I see this. I cannot explain it. But it scares the fuck out of me. I admit it without shame. If this doesn’t scare you, there might be something wrong with you.

2) Cheryl’s Mom Confronted

Soon after teen and main victim Cheryl Dempsey is abducted, The Butcher confronts her mother, telling her, “if there’s anything I can do…..”. As she realizes who he might be, he simply giggles eerily and walks away. There is something about this that absolutely kills me. Maybe it’s the gall of the killer to confront his victim’s own mother because he is confident that he will never be caught, or the trauma this further causes the mother, but something about it goes through me, and fills me with sadness.

3) Cheryl’s Depressing Interview

Towards the end, Cheryl is rescued and returned home. She seems to have aged thirty years and is depressed beyond measure. She has been conditioned by the killer to respond only to him, with whatever he wanted her to say. Thus, she keeps telling the cameramen, “I don’t know what you want me to say….” This broke my heart, because people are really that broken by experiences they’ve had, and though this movie is fake, shit like this does happen. It is also revealed that her left hand has been removed. She refers to her Master, that he will come to get her, and that he didn’t mean to leave her behind. Most chilling, she thinks he really loves her. At the end of the short interview, words appear onscreen, informing us that she killed herself two weeks ago the taping. After this, a news reporter comes on, talking about how her body was stolen from the cemetery where she was recently buried. Scary. I don’t care what anyone says, this movie GETS to me. Which is really the point, yes?

The Strangers (2008)

Well, if it hasn’t been made obvious by now, the scariest movies to me are those that could actually happen. Home invasion, serial killers, torture and torment? Yeah, right up my alley. So, of course, The Strangers will always appear positively in any list of mine. I was so pleasantly surprised by this movie, and I could hardly believe it was Bryan Bertino’s directorial debut. The fact that it is loosely based on a few real life incidents (the Manson murders, The Keddie Cabin Murders) makes it all the more horrifying. A young, innocent, likeable couple terrorized in their own home (well, vacation home), by three psychopaths throughout the course of an entire night is horrifying to think about. The whole movie is creepy, for sure, but here are my top scenes.

1) Kristen Terrorized

From the moment James leaves to get more cigarettes, Kristen is tormented by the strangers, slowly at first, rapping on the door every so often, pretending to still be looking for Tamara, and then loud, malicious pounding. Kristen’s cigarettes and the fireplace have caused the alarm to go off, and she removes it, leaving it on the floor as the door is hit once again. She calls James to tell him to hurry, and goes back in the living room. The smoke alarm is now sitting on the cushion of the chair she used to stand on. They’ve been in the house, and even stolen her phone and thrown it in the fireplace. Eventually, the front door opens slightly, and Kristen sees a woman in a pin-up girl mask staring back at her. We weren’t quite expecting that, which is what makes it so startling. The whole scene builds up so much that once we catch a glimpse of one of the tormentors, we practically jump out of our seats. Well, I did. Amazing.

2) Mike is Stalked

Earlier in the night, James had called his friend to come pick him up, as he and Kristen were fighting. He finally arrives, after most of the terror has taken place. He enters the house, which is eerily quiet, except for the Merle Haggard record, “Mama Tried” playing over and over. As he walks through the house, confused and nervous, the masked male stranger appears behind him, stalking him with an ax. We’re sure he is going to be hacked to death brutally, but in a fucked up turn of events, James shoots him in the head, not realizing it is his friend. This scene is where everything pretty much goes to hell. We know the victims are probably not going to survive, and even if they did, they just killed their best friend and would be messed up for life. Fear can make us do horrible, unintentional things, and this scene proves that.

3) “Because you were home”

After the night of terror is over, the sun rises, as Kristen and James are bound and tied to two chairs in the living room. The strangers stand over them, just staring. Kristen asks, “Why are you doing this to us?”, to which the blonde stranger replies, “Because you were home”. This is so beyond creepy. They were just out looking for people to terrorize, and they just happened to be home. The strangers are a trio of sociopaths, who get their kicks tormenting and torturing helpless people in their homes. They thrive on the fear it causes, and once their fun is over, they must do away with them. James is stabbed slowly several times with a butcher knife, and then the same happens to Kristen. James is dead once the two little religious boys arrive to solicit Jesus materials, but Kristen is still alive, and screams out in terror as one little boy reaches out to her. I was just so, so impressed with this film.

The Ring (2002)

The Ring is one of those films I’ll never tire of. Yeah, I know it’s ten years old now (Jesus!), but it still freaked me out when I saw it, so it is deserving of my loyalty and love. Even at 14 I was a hardcore movie freak, and cynic, but I was pleasantly surprised by this gem. I really don’t care what anyone says. Gore Verbinski did a tremendous job on this film. Not one line of dialogue, one speck of lighting, nor one aspect of storyline is out-of-place. To me, that means a hell of a lot, not to mention, it features one of the creepiest kids ever in horror.

1) The Tale of Katie and the Tape

The beginning of the film opens with two teen girls, staying in on a rainy night, talking. The subject of urban legends comes up, and Becca mentions to Katie the mysterious tape that “kills you when you watch it”, seven days after receiving the threatening post-view phone call. Katie believes she’s seen the tape, and fakes Becca out by pretending to choke. After some shenanigans, the phone rings, scaring the girls to death. It’s Katie’s mom, and they answer it downstairs. Becca departs so they can talk, but after speaking to her mom begins to experience some strange things. The television comes on The Static Channel by itself, twice, she sees a blurry movement in the screen, and the refrigerator opens by itself. Okay, not too creepy when you type it, but the film makes it pretty eery. After going upstairs, she steps in a mysterious puddle outside her door. Upon opening the door, she witnesses the t.v. on a strange blueish-grey screenshot of a well in a forest, which prompts her to scream and contort her face unattractively as the screen cuts to black. Later on, at her funeral, her mother says she saw her face, and the scene quickly cuts to Katie curled up in her closet – twisted, contorted, and discolored. Look, it’s fuckin’ creepy, okay? Just admit it! Even the guy friend I was with seeing this for the first time ten years ago practically hit the ceiling! Me? I was startled, but I held my own, unlike him.

2) The Tape Itself

Do I really have to describe this one? The tape itself isn’t really scary, but it sure is strange, and the creepiest part is before we know the whole story, we’re sitting there, thinking, “What a bunch of random fucked up shit!” And it is, it really is. And the lighting and coloring of this videotape makes it even more odd and discomforting.

3) Samara’s Return

So, if you tell me that when Samara came up out of the well, and came through the television set, you didn’t get rattled, you’re either lying, or dead. Perhaps both. Of course, it’s not too big a deal now that we’ve all seen it a thousand times, but the first few times, particularly the first, it was fucking amazing. This evil little bitch will not be stopped, and she has to go and kill sweet Noah. Typical, the good guy dies, I call BULLSHIT. But still, it proves she is unrelenting, and innately evil. Not even Rachel’s compassion and discovery of her water-logged body will faze her. I wouldn’t want to meet her in a dark alley, because my charming ways would apparently not work on her. This scene is a classic already, and still gets my stomach in knots when I see it. A few male friends even told me they turned their sets around when they got home from the movie when they first saw it. Bold of them to admit, but can you blame them? It was unsettling, and shows that there usually is no happy ending in horror films.

MORE TO COME! :)


Released in 1992, this was one of my favorites as a child, and still is. Mikey is an evil little brat who kills anyone who stands in his way. After moving from family to family after killing his own, Mikey manipulates, controls, and destroys everyone in his path. With some pretty gnarly kills, including letting his sister drown after throwing her toy in the pool, to electrocution via bathtub + hair dryer, baseball bat beatings, deranged slingshots, and more, Mikey is definitely up there in the ‘killer kid’ genre.

Another chilling, evil child is Henry from The Good Son. Released in 1993, it is not technically a horror movie, and does focus more on the drama and psychology of the family as a whole. However, the terror that Henry causes is nothing short of horrifying. Macaulay Culkin can play a great psychopath, even as a little kid, and this is a far cry from adorable Kevin McCallister from Home Alone. Cute little Henry has killed many animals (I hate him already), his little brother as an infant, tried to kill his little sister by causing her to fall through ice on a pond, and causes a multiple car pile-up after throwing his creepy ass life-size doll thing off of a bridge during rush hour. Talk about your sociopaths…..I must say, I always cheer at the end.

Brainscan, released in 1994, is the story of an avid horror fan (played by Edward Furlong) who discovers a game that’s a little too interactive. Soon, he finds himself killing people, including his best friend, all the while not knowing if what he is experiencing is real, or just a game…..The Trickster, the game’s menacing host, is portrayed very well by T. Ryder Smith, and while this is, of course, not the best movie ever made, it is a pretty fun ride.

Calling Damien Thorn a little devil is just about the understatement of the millenium. This demon seed from The Omen (1976) is the Antichrist, and as such, has to go about killing and hurting as many people as possible why still maintaining a misleading angelic face. Except, of course, when his parents try to take him to church or a zoo. From influencing suicidal nannies to causing numerous “freak accidents”, this kid is about as creepy and evil as you can get.


If you haven’t seen this film, I strongly urge you to do so once it is released on DVD wherever you reside. We Need to Talk About Kevin follows a mother (Tilda Swinton) and the aftermath of a horrendous tragedy. Most of the film, however, is flashbacks to the beginning - the beginning of the tragedy that is Kevin. We see him as a newborn, a toddler, a little boy, and finally, a disturbingly dark, twisted teenager. Another film I love that debates the theory that people can be born bad, as well as nature vs. nurture, this one is psychological and actually features very little violence. If you want to see the development and upbringing of a psychopath, this one’s definitely for you!

Like some of my reviews, I will try not to divulge any major details, as this film is one you must experience on your own, and you cannot really grasp its power unless you do. I must say, and this is definitely the girly girl in me coming out, that Ezra Miller (teenage Kevin) is gorgeous. Not like, “OMG, he’s so hawt”, but he’s just a beautiful specimen. The fact that he can act extremely well only adds to his attractiveness. Probably not since Patrick Bateman has a psychopath really grabbed our attention, and hormones. Okay, that’s enough fawning, because it makes me sound unprofessional, but it is the truth. He is a fabulous young actor and has a bright future. Watching a little kid grow up to be completely apathetic and sociopathic is sheer genius, and I really don’t think any other set of actors could really pull this off. That said, John C. Reilly as Kevin’s dad, and Eva’s husband, is a strange choice, because frankly, it is weird to see Swinton and Reilly’s characters get it on. It’s just awkward. But, that said, I think it adds to the message of the movie. They never really seemed to connect to one another despite being married and the parents of two children. This disconnect adds to the tension of Eva’s suspicions about Kevin being really “off” since birth, as he is pretty close to his father and his dad never sees his bad side. This is usually what happens – one parent gets the shitty side, and the other gets the glowing, perfect child. That part is really scary, because to me, it means that Kevin knows what he’s doing and can manipulate any situation to his advantage. Even when he is a young child, his father always stands up for him, using the typical “boys will be boys” farce of an explanation. Kevin is really fucked up and twisted since birth and it only grows more intense and palpable as he matures into adolescence. Some attribute this to Eva never connecting to her son or feeling that motherly love, or it could be said that he is simply not all right from day one, which contributed to Eva feeling as if she never could fully connect in a maternal way. You could cut the tension with a knife, and you really get the sense that you’re a fly on the wall of this family.

Without giving away too much, many aspects of the film foreshadow the ultimate outcome, and even small things seem to connect by the end of the film. Kevin also injures his little sister, tricks his mom into giving her computer a virus, and even kills his sister’s pet. Though there is nothing really gory in this film, you can feel the emotional side of it, rather than having gore shoved in your face for its own sake. Some movies don’t require it, and this is absolutely one of them. You should check this film out if you’ve not seen it, as it comes highly recommended. It may start a little slow, but give it time and a chance, and it will blow your mind. Fantastic, fantastic film.


Next to the original film, this fourth part of the Children of the Corn series is by far the best. It was released straight-to-video in 1996, which is why I think so many people may have counted it out. Straight-to-dvd does not always mean it is bad. Furthermore, this one stars a younger Naomi Watts in one of her first starring roles. It does not follow along with the original story per se, but it does take place in Nebraska, only this time, in Grand Island. Naomi Watts, Grace, returns home from college to help her mother who is suffering from agoraphobia and terrifying dreams. Her mother knows something is about to go wrong, but her doctor and daughter both think she is just nervous and afraid for no reason. The two other children in the house, James, and Margaret, are also annoyed with her frantic behavior.

After Grace returns home, she takes her old job back at the doctor’s officer in town to make some extra cash. Soon, all the kids in town get sick and feverish on the same night. It appears to be caused by a dead boy preacher from years ago who was murdered, who is somewhat like He Who Walks Behind the Rows. His goal is to gather children, and to possess them and influence their actions. Their actions include killing adults. Their fever doesn’t last long, but afterwards, they all become very despondent, and some begin to act like they are other people, including two creepy twin boys, Charlie and Scott. They are brought into Doc Larsen’s office by their freaked-out mother, and they call each other names of two boys who were murdered by their father during the Great Depression. The doc doesn’t find this “joke” funny, but later on, the joke’s on him, because the twins murder him. Another little boy also watches as a group of children gather outside his home and murder his mother. The town blames the father, so he is on the run.

Grace is also concerned about Margaret and runs blood tests on her to see what is wrong. By now, all the kids are sick again, and Grace’s mother is lured outside by who she thinks is James, and is murdered in a barn. Grace is confronted by Donald, the man who the police believe is responsible for his wife’s murder. Together, they solve the puzzle by going to visit two old ladies, Jane and Rosa Nock, who speak of the boy preacher, Josiah, and how he never seemed to age and the adults used him to lure crowds to the preaching tents. He was given up by his mother because she was considered too young to have him, so he is looking for a young child in a similar situation to take his place. This is Margaret, who we find out is not Grace’s sister, but her daughter!

Well, Donald and Grace figure out a way to save the day by defeating Josiah and saving the children. At the end, the children are all normal again, and Grace leaves town with Margaret and James in tow. This movie is actually really good, much to many people’s surprise. There are a few jumpy scenes, especially if you get freaked out by cloven hooves on people like I do! The kid, Josiah is kinda creepy and very gory looking, and there are some really neat death scenes. If you want, you should really give it a chance, you may surprise yourself. Of course, it’s a little cheesy, but what isn’t? That doesn’t mean it’s not entertaining, and a bit creepy! Oh yeah, and James, Grace’s little brother, is played by…..

Mark Salling, It’s PUCK from GLEE! Just thought you might wanna know ;)


Normally, I’m not a big fan of children. In fact, I usually go out of my way to avoid them. But in movies, when they are creepy, weird little beasts that murder people? I’m totally on board. This is another film that I completely adore, but have no idea why others don’t like it. Who, as a child, never imagined all the grown-ups being gone and you just runnin’ the joint? Yeah, don’t lie. Of course, we never fantasized that it would happen by way of murdering little religious zealots who worship something that lives in a cornfield. But what can ya do? This is what we were given, and will work with it. Released in 1984, this movie is based on a short story by the lovely Stephen King, and stars Linda Hamilton, and Peter Horton.

We begin by witnessing all the children in the town of Gatlin, Nebraska, killing all of the adults at the same time, apparently on the command of Isaac, a creepy little thing who is actually quite intriguing. A little boy, Job, is at a diner with his father after church, where he sees his dad getting his throat slit. Meanwhile, his little sister, at home sick with their mother, is also witness to their mother’s murder. Sarah had been sick, and it is later revealed that she has the “gift of sight”. Flash forward to a few years later, and we are introduced to Burt and Vicky, a young couple preparing to travel cross-country for Burt’s new job. He just graduated med school and is anxious about his work, and Vicky really wants a commitment. Already, this is really realistic. The viewer also sees Job and his sister Sarah talking to a young boy, Joseph, who is preparing to run away because he is sick of living under the thumb of crazy Isaac and his henchman, Malachai. The children are not allowed to do anything child-like, such as listening to music or playing games. He runs away into the corn with his suitcase, but soon is stalked by Malachai and other followers, and has his throat slit. You wanted him to make it to the road alive, but he makes it to the road nearly dead, just as Burt and Vicky are driving up and accidentally hit him. They don’t realize that he was practically dead already when he was hit, but they find out upon investigating the body.

Burt finds Joseph’s suitcase with blood on it and knows something’s up. They pack up the little dead boy in their trunk and go looking for help in a neighboring town. We meet an old man and his cute dog, who was seemingly allowed to live by the killer children in exchange for fuel and keeping outsiders out. He tells the couple not to go to Gatlin, so of course they head straight there. The old man is subsequently killed, as well as his dog, by Malachai because he feels Isaac has become to powerful and he wants power to himself. Once arriving in Gatlin, they find it weird and abandoned, but they come upon Sarah in her old house and talk to her. Burt goes off to investigate, while Vicky stays with Sarah. Soon, Malachai and others break into the home, and kidnap Vicky, and this is what Sarah had predicted all along. Burt encounters Job and helps to hide him, as Job and Sarah explain where Vicky is and what is going on in the town. Darkness falls, and Burt prepares to venture into the corn, where Malachai has ordered Isaac to be sacrificed instead of Vicky. He gets into a struggle with Malachai, and attempts to bring some sanity to these loony children by telling him that a religion without love and compassion is false. They start to believe him, just as Isaac emerges from the corn, bloody and scorched. He tells Malachai that He Who Walks Behind the Rows wants him too, so Malachai is killed.

The children take off, and hide in the barn, as the couple and the two siblings try to figure out how to stop the demon in the corn. They read a passage from the Bible, that instructs them to use fire. So Job and Burt take off to make a cocktail to throw into the corn and destroy the monster. He Who Walks tries to stop Burt by attacking him by way of the cornstalks, but he breaks free, and sets the field on fire. All is calm, and the foursome walk back to their car, that has now been filled with corn. A young girl in the cult is hiding in the backseat and tries to attack Burt, but he knocks her out. As they make their way down the road on foot, they discuss maybe adopting the two siblings, and the film ends.

I love this movie for several reasons, and think many people need to give it another chance. First of all, these kids (above) are the two cutest kids I have ever seen. They are pretty good actors especially considering the bizarre subject matter. Secondly, it is creepy. Not scary in a general sense, but creepy. The kids in this cult are so loyal and completely devoid of any real thought of their own, which is scary in and of itself. I have always been interested in cults and how someone could actually follow someone blindly with no rhyme or reason, especially when they are killing adults in horrific ways and worshipping something that lives underground in the cornfield. Granted, in the movie, the creature is real, as we see it moving along under the dirt, but what happened to make them worship it? Isaac came along and spouted a few things and all of a sudden, kids are killing their parents. I think the human mind and what it is capable of conjuring is probably the scariest thing of all, so to think that children could be engaged in these actions is terrible. Also considering, cults do exist, and crazy people do go around committing murder and mass suicide because of some imaginable belief in their head, so in a general sense, this kind of thing may be possible. Though, I must say, I doubt that no one would have found out before three years, and that these kids still dress like its 1887 is a little far-fetched, but hey, whatever Isaac says, goes.



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